Phallic Frenzy: Ken Russell and His Films
(eBook)

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Published
Chicago Review Press, 2007.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781569764824

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Citations

APA Citation, 7th Edition (style guide)

Joseph Lanza., & Joseph Lanza|AUTHOR. (2007). Phallic Frenzy: Ken Russell and His Films . Chicago Review Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Joseph Lanza and Joseph Lanza|AUTHOR. 2007. Phallic Frenzy: Ken Russell and His Films. Chicago Review Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Joseph Lanza and Joseph Lanza|AUTHOR. Phallic Frenzy: Ken Russell and His Films Chicago Review Press, 2007.

MLA Citation, 9th Edition (style guide)

Joseph Lanza, and Joseph Lanza|AUTHOR. Phallic Frenzy: Ken Russell and His Films Chicago Review Press, 2007.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID56ee7a5d-4ffc-27cf-99a9-0a29de2c15a7-eng
Full titlephallic frenzy ken russell and his films
Authorlanza joseph
Grouping Categorybook
Last Update2024-02-27 11:43:26AM
Last Indexed2024-04-18 00:51:10AM

Book Cover Information

Image Sourcehoopla
First LoadedJun 11, 2022
Last UsedFeb 28, 2024

Hoopla Extract Information

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    [synopsis] => This biography of director Ken Russell details the wild ideas, surreal moments, personal faith, and cavalcade of colorful personalities that surround this eccentric filmmaker on and off the set. Best known for the acclaimed movies Altered States, The Devils, Gothic, The Music Lovers, Tommy, and Women in Love, Russell redefined cinema in the 1960s, 70s and 80s, working with magnetic actors like Jack Nicholson, Michael Caine, Ann-Margret, William Hurt, Gabriel Byrne, and Vanessa Redgrave. Moments of Russell's career are highlighted in this intimate biography, including how creative differences between Russell and producer Robert Stigwood stopped production of a movie version of Evita, how he creatively staged the love duet between Faust and Helen over a bowl of pasta in the opera Mephistopheles, and how Alan Bates and Oliver Reed compared their penis size for the nude wrestling scene in Women in Love.
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