Teresa Margolles and the Aesthetics of Death
(eBook)

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Published
University of Wales Press, 2015.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781783162512

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Citations

APA Citation, 7th Edition (style guide)

Julia Banwell., & Julia Banwell|AUTHOR. (2015). Teresa Margolles and the Aesthetics of Death . University of Wales Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Julia Banwell and Julia Banwell|AUTHOR. 2015. Teresa Margolles and the Aesthetics of Death. University of Wales Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Julia Banwell and Julia Banwell|AUTHOR. Teresa Margolles and the Aesthetics of Death University of Wales Press, 2015.

MLA Citation, 9th Edition (style guide)

Julia Banwell, and Julia Banwell|AUTHOR. Teresa Margolles and the Aesthetics of Death University of Wales Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDc983f665-858c-095e-b605-04eb2fcc9786-eng
Full titleteresa margolles and the aesthetics of death
Authorbanwell julia
Grouping Categorybook
Last Update2024-05-14 23:01:42PM
Last Indexed2024-05-17 02:52:02AM

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    [synopsis] => This book is the first and most extensive academic monograph to be published on the work of the Mexican neo-conceptual artist Teresa Margolles. A range of art works produced by Margolles throughout the length of her career, which began in the 1990s (as part of the SEMEFO collective) and continues to the present day, are explored from such theoretical perspectives as the philosophy of death, the difficult spectatorship of death and the corpse, approaches to the representation of death and dead bodies in art from inside and outside Mexico, and the response of art to traumatic events in Mexico during and since the 1990s. The extensive scope of the study is a significant contribution to scholarly material on the artist, attending to difficult questions around art and ethics, its analysis of Margolles's work is situated within the contexts of the long tradition of the display of real bodies and body parts in Mexican visual culture, against the backdrop of the effects of NAFTA and the War on Drugs.
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