In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative, and Nineteenth-Century Psycho...
(eBook)

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Victorian Secrets, 2013.
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Available Online

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eBook
Language
English
ISBN
9781906469467

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APA Citation, 7th Edition (style guide)

Jenny Bourne Taylor., & Jenny Bourne Taylor|AUTHOR. (2013). In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative, and Nineteenth-Century Psycho.. . Victorian Secrets.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jenny Bourne Taylor and Jenny Bourne Taylor|AUTHOR. 2013. In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative, and Nineteenth-Century Psycho... Victorian Secrets.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jenny Bourne Taylor and Jenny Bourne Taylor|AUTHOR. In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative, and Nineteenth-Century Psycho.. Victorian Secrets, 2013.

MLA Citation, 9th Edition (style guide)

Jenny Bourne Taylor, and Jenny Bourne Taylor|AUTHOR. In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative, and Nineteenth-Century Psycho.. Victorian Secrets, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDff213a5d-872a-d2a6-7869-b799960ea475-eng
Full titlein the secret theatre of home wilkie collins sensation narrative and nineteenth century psycho
Authortaylor jenny bourne
Grouping Categorybook
Last Update2024-06-05 23:01:32PM
Last Indexed2024-06-06 06:45:02AM

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    [synopsis] => In his 1852 novel Basil, Wilkie Collins' narrator concludes that "those ghastly heart-tragedies laid open before me … are not to be written, but … are acted and reacted, scene by scene, year by year, in the secret theatre of home." Taking this memorable quote as her starting point, Jenny Bourne Taylor demonstrates how Victorian psychology is central to an understanding of the complexity and vitality of Collins' fiction, exploring the boundaries of mind/body, sanity/madness, and consciousness/unconsciousness.Taylor's depth of research and thoughtful analysis establishes the importance of Collins as a writer whose fiction challenges the cultural constructions of the nineteenth century, and proves "the impossibility of drawing a precise boundary between between fictional and psychological codes". Going beyond conventional discussion of the sensation genre, here we see the depth and range of Collins' writing and gain an understanding of its relation to Victorian medical thought.The study includes close readings of five novels: Basil (1852), The Woman in White (1859-60), No Name (1862-3), Armadale (1864-66), and The Moonstone (1868). Consideration is also given to Man and Wife (1870), The New Magdalen (1872), The Law and the Lady (1875), Jezebel's Daughter (1879), Heart and Science (1882-3), The Fallen Leaves (1879), and The Legacy of Cain (1889)
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