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"Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream-and they ended up disrupting popular...
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The author of the New York Times bestseller Her Again: Becoming Meryl Streep returns with a lively history of the Academy Awards, chronicling the brutal battles, the starry rivalries, and the colorful behind-the-scenes drama."--
"America does not have royalty. It has the Academy Awards. For nine decades, perfectly coiffed starlets, debonair leading men, and producers with gold in their eyes have chased the elusive Oscar. What began as an industry...
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The protest song reached its zenith in 1960s America when Bob Dylan, Buffalo Springfield, Country Joe and the Fish, Jimi Hendrix, and Joan Baez wrote popular songs to protest American involvement in the Vietnam War and the mistreatment of social and economic groups. In some cases--Dylan's "Masters of War," P.F. Sloan's "Eve of Destruction," Country Joe McDonald's "I-Feel-Like-I'm-Fixin'-to-Die Rag"--the songs became anthems that defined a generation,...
4) The beginning or the end: how Hollywood - and America - learned to stop worrying and love the bomb
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"Soon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called "the most important story" he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon. Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model...
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One of the music world's pre-eminent critics takes a fresh and much-needed look at the day Dylan "went electric" at the Newport Folk Festival, timed to coincide with the event's fiftieth anniversary. On the evening of July 25, 1965, Bob Dylan took the stage at Newport Folk Festival, backed by an electric band, and roared into his new rock hit, Like a Rolling Stone. The audience of committed folk purists and political activists who had hailed him as...
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"In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined...
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On the evening of October 30, 1938, radio listeners across the United States heard a startling report of a meteor strike in the New Jersey countryside. With sirens blaring in the background, announcers in the field described mysterious creatures, terrifying war machines, and thick clouds of poison gas moving toward New York City. As the invading force approached Manhattan, some listeners sat transfixed, while others ran to alert neighbors or to call...
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The Ku Klux Klan was reestablished in Atlanta in 1915, barely a week before the Atlanta premiere of The Birth of a Nation, D. W. Griffith's paean to the original Klan. While this link between Griffith's film and the Klan has been widely acknowledged, Tom Rice explores the little-known relationship between the Klan's success and its use of film and media in the interwar years when the image, function, and moral rectitude of the Klan was contested on...
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Acclaimed media critic J. Hoberman's masterful and majestic exploration of the Reagan years as seen through the unforgettable movies of the era The third book in a brilliant and ambitious trilogy, celebrated cultural and film critic.
J. Hoberman's Make My Day is a major new work of film and pop culture history. In it he chronicles the Reagan years, from the waning days of the Watergate scandal when disaster films like Earthquake ruled the box office...
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A riveting story of ambition, greed, and genius unfolding at the dawn of modern America. This landmark biography brings into focus a fascinating brilliant entrepreneur--like Steve Jobs or Walt Disney, a true American visionary--who risked everything to realize his bold dream of a Hollywood empire. Although a major Hollywood studio still bears William Fox's name, the man himself has mostly been forgotten by history, even written off as a failure. Now,...
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A trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap, and Ridgemont High; of MTV, VHS, and "Axel F"; of outsiders, lost boys, and dead poets; of Bill and Ted, Brooke Shields, and the Brat Pack; of three Porky's flicks, two Coreys, and one summer when "Baby" refused to be put in a corner. -- from Amazon.com.
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"The high point: his breezy honesty." - Entertainment Weekly
"Leguizamo is one of the most excting talents to come along in some time." - USA Today
"[Leguizamo is] a remarkably mature writer . . . Astonishing." - Newsweek
"Brutally funny." - The New York Times
"This mix of the glib and the sometimes glam presents a refreshing cultural tonic." - Publishers Weekly
"Leguizamo's autobiography is as singular as the man himself. " - Library Journal...
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Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In "Hollywood's Last...
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From the fictional towns of Hill Valley, CA, and Shermer, IL, to the beautiful landscapes of Astoria and Brownsville, OR, from the iconic suburbs of the San Fernando Valley to the seemingly scary inner cities of Chicago, '80s teen movies had one thing in common: locations mattered. Perhaps moreso than in any other decade, the locations of the '80s teen movies were monumentally important. In Brat Pack America, Kevin Smokler gives virtual tours of your...
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A history of the writer's impact on some of the biggest names in rock music from the Beatles to Bowie, and his role as a secret architect in the genre.
William S. Burroughs's fiction and essays are legendary-but his influence on music's counterculture has been less well documented―until now. Examining how one of America's most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the...
19) Dream lucky: when FDR was in the White House, Count Basie was on the radio, and everyone wore a hat
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The author, a former music critic, focuses on the popularity of big band music from 1936 to 1938, showing how this musical genre affected politics, race, religion, sports and the arts during that period. Count Basie's career is used as a centerpoint in this brisk narrative.
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On the ground with the talent, the townspeople, and his handpicked crew, Woodstock organizer Lang had a unique and panoramic perspective of the festival which became legendary. Enhanced by interviews with others who were central to the making of the festival, this book tells the story from inspiration to celebration, capturing all the magic, mayhem, and mud in between.--From publisher description.
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