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"Many of American cinema's most defining movies have roots in the South. Be they films that excite (No Country for Old Men), amuse (My Cousin Vinny), or disturb (Deliverance), Southern movies remain some of the most evocative in modern filmmaking. The South Never Plays Itself examines the historical and cultural legacy of the South and the silver screen, a relationship as tangled and inextricable as Spanish moss. From the racist propaganda of The...
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"In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans--and all movie lovers--could have hoped for. Organized around key American films from the 1970s, all of which he...
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From Blood Simple and Raising Arizona to Inside Llewyn Davis and Hail, Caesar!, the films of Joel and Ethan Coen represent a sort of alternate reality of America. The author explores how the settings-geographical, cultural, and historical-of their films provide viewers with slightly skewed, though no less true, perspectives of life American life.
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2023.
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"WE SEE EACH OTHER is a personal history of trans visibility since the beginning of moving images. A literary reckoning, it unearths a transcestry that's long existed in plain sight and in the shadows of history's annals, and further contextualizes our present moment of increased representation. The films and television shows that Tre'vell covers include: Midnight In The Garden Of Good And Evil, Psycho, Holiday Heart, Boy's Don't Cry, America's Next...
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Fun City Cinema' gives readers an in-depth look at how the rise, fall, and resurrection of New York City was captured and chronicled in ten iconic Gotham films across ten decades: The Jazz Singer (1927), King Kong (1933), The Naked City (1948), Sweet Smell of Success (1957), Midnight Cowboy (1969), Taxi Driver (1976), Wall Street (1987), Kids (1995), 25th Hour (2002), and Frances Ha (2012). A visual history of a great American city in flux, Fun City...
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The use of color is an essential part of film. It has the power to evoke powerful emotions, provide subtle psychological symbolism and act as a narrative device. Wes Anderson's pastels and muted tones are aesthetically pleasing, but his careful use of color also acts as a shorthand for interpreting emotion. Moonlight(2016, dir. Barry Jenkins) cinematographer (James Laxton) and colorist (Alex Bickel) spent 100 hours fine-tuning the saturation and hues...
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"A larger-than-life narrative of the making of the classic film, marking the rise of America as a superpower, the ascent of Hollywood celebrity, and the flowering of Texas culture as mythology. Drawing on archival sources, Graham's Giant is a comprehensive depiction of the film's production, showing readers how reality became fiction and fiction became cinema."--Dust jacket.
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Siegfried Kracauer (1889–1966) was a film critic and independent sociologist and theorist. He is the author of The Mass Ornament and Theory of Film (Princeton). Leonardo Quaresima is professor of film history and criticism and director of cinema studies at the University of Udine.
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism
First published in 1947, From Caligari to Hitler remains an...
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"Grab the popcorn and prepare to binge the spiritual themes of cinema: the unconventional savior. The hero's journey. The balance of creation. The redemption tale. 100 Spiritual Movies to See Before You Die outlines twelve major categories of spiritual movies before diving into a wide array of films: from Chariots of Fire to Bruce Almighty ; Life of Pi to Malcolm X ; The Bishop's Wife to V for Vendetta ; and many more. From the introduction: 'In their...
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Whether we are trying to impress a date after an art-house film screening or discussing Oscar nominations with friends, we all need ways to watch and talk about movies. But with so much variety between an Alfred Hitchcock thriller and a Nora Ephron romantic comedy, how can everyday viewers determine what makes a good movie? In Talking Pictures, veteran film critic Ann Hornaday walks us through the production of a typical movie-from writing the script...
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No film critic has ever been as influentialor as beloved as Roger Ebert. Over more than four decades, he built a reputation writing reviews for the Chicago Sun-Times and, later, arguing onscreen with rival Chicago Tribune critic Gene Siskel and later Richard Roeper about the movies they loved and loathed. But Ebert went well beyond a mere thumbs up or thumbs down. Readers could always sense the man behind the words, a man with interests beyond film...
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The author of the New York Times bestseller Her Again: Becoming Meryl Streep returns with a lively history of the Academy Awards, chronicling the brutal battles, the starry rivalries, and the colorful behind-the-scenes drama."--
"America does not have royalty. It has the Academy Awards. For nine decades, perfectly coiffed starlets, debonair leading men, and producers with gold in their eyes have chased the elusive Oscar. What began as an industry...
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From the fictional towns of Hill Valley, CA, and Shermer, IL, to the beautiful landscapes of Astoria and Brownsville, OR, from the iconic suburbs of the San Fernando Valley to the seemingly scary inner cities of Chicago, '80s teen movies had one thing in common: locations mattered. Perhaps moreso than in any other decade, the locations of the '80s teen movies were monumentally important. In Brat Pack America, Kevin Smokler gives virtual tours of your...
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"Coinciding with the 50th anniversary of "The Way We Were," this intriguing and impeccably researched book is the first ever account of the making of the classic film starring Barbara Streisand and Robert Redford, revealing the full story behind its genesis and continued controversies, its many deleted scenes, its much-anticipated but never-filmed sequel, and the real-life romance that inspired this groundbreaking love story"--
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"The Big Screen" tells the enthralling story of the movies: their rise and spread, their remarkable influence in the war years, and their long, slow decline to a form that is often richly entertaining but no longer lays claim to our lives the way it once did.
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The former Rolling Stone writer and MTV host takes off from classic Roger Ebert and sails boldly into the new millennium.
Millions grew up reading the author's record reviews and watching him on MTV's "The Week in Rock." In this collection of more than 200 movie reviews from MTV.com and, more recently, the Reason magazine Website, plus sidebars exclusive to this volume, Loder demonstrates his characteristic wry voice and finely honed observations....
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"Michael Adams's book is great fun! No one intends to make a truly bad movie, but when they do, Michael Adams will be there to watch it...and make it entertaining!" -John Landis, director of Trading Places and The Blues Brothers
In Showgirls, Teen Wolves, and Astro Zombies, film critic Michael Adams embarks on a year-long odyssey to discover the worst movie ever made, which Mystery Science Theater 3000 star, writer, and director Kevin Murphy calls...
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