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The renowned British author of Death on the Agenda delivers a "stunning finish with a return-from-the-dead trap. Very lively and zestful" (Observer).
No question, one of the real delights of this series is all the early-1960s clotheshorses who go traipsing through the pages, and this time around, they're front and center. Moyes in fact worked as an editor at British Vogue, and her familiarity with the London fashion scene is put to good use in this...
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