In the Statesman the discussion is partly regarded as an illustration of method, and that analogies are brought from afar which throw light on the main subject. The search after the Statesman, which is carried on, like that for the Sophist, by the method of dichotomy, gives an opportunity for many humorous and satirical remarks.

A classic work of ancient Greek literature from Plato, one of the most famous of all ancient Greek philosophers, the "Phaedo" is the moving story of the last moments of Socrates life as recounted by Phaedo, a student of Socrates and a first-hand witness to his final hours. "Phaedo" is the fourth and last dialogue by Plato of Socrates final days, following "Euthyphro", "Apology", and "Crito". In "Phaedo" we see the famous philosopher in his last hours...

Plato's "Meno" is a Socratic dialogue between the two main speakers, Socrates and Meno, and explores the definition of virtue and whether it is something that can be taught. Meno is an attractive and well-to-do young man visiting Athens and is a student of the sophist Gorgias, who has greatly influenced Meno's ideas on virtue and knowledge. The dialogue begins abruptly with a question posed by Meno, who asks Socrates whether virtue can be taught....

One of the middle or transitional dialogues of the ancient Greek philosopher Plato, "Gorgias" depicts a dinner gathering attended by Socrates and a group of sophists. Gorgias, a foreigner, has been drawn to Athens by its cultural and intellectual sophistication. In this dialogue Plato contrasts Gorgias, the rhetorician, with Socrates, the philosopher, whose differing specialties are persuasion and refutation, respectively. As Plato delves into arguments...

A lively dialogue between a foreign philosopher and a powerful statesman, Plato's Laws reflects the essence of the philosopher's reasoning on political theory and practice. It also embodies his mature and more practical ideas about a utopian republic. Plato's discourse ranges from everyday issues of criminal and matrimonial law to wider considerations involving the existence of the gods, the nature of the soul, and the problem of evil. This translation...

The "Sophist" is a Platonic dialogue from the philosopher's late period, most likely written in 360 BC. Its main theme is to identify what a sophist is and how a sophist differs from a philosopher and statesman. Because each seems distinguished by a particular form of knowledge, the dialogue continues some of the lines of inquiry pursued in the epistemological dialogue, Theaetetus, which is said to have taken place the day before. Because the Sophist...

Parmenides (Greek: Παρμενίδης) is one of the dialogues of Plato. It is widely considered to be one of the more, if not the most, challenging and enigmatic of Plato's dialogues. The Parmenides purports to be an account of a meeting between the two great philosophers of the Eleatic school, Parmenides and Zeno of Elea, and a young Socrates. The occasion of the meeting was the reading by Zeno of his treatise defending Parmenidean monism against...

"Theaetetus" is a dialogue by Plato from his middle period, written sometime around 369 BC. It is widely considered to be one of his best works and remains a significant contribution to the philosophy of knowledge. The work is framed as a dialogue between Socrates and a promising, but humble, young geometry student named Theaetetus. In one of the most well-known scenes in Plato's dialogues, Socrates discusses his method for eliciting thoughtful discussion...

The Cratylus has always been a source of perplexity to the student of Plato. While in fancy and humour, and perfection of style and metaphysical originality, this dialogue may be ranked with the best of the Platonic writings, there has been an uncertainty about the motive of the piece, which interpreters have hitherto not succeeded in dispelling. We need not suppose that Plato used words in order to conceal his thoughts, or that he would have been...

The Menexenus has more the character of a rhetorical exercise than any other of the Platonic works. The writer seems to have wished to emulate Thucydides, and the far slighter work of Lysias. In his rivalry with the latter, to whom in the Phaedrus Plato shows a strong antipathy, he is entirely successful, but he is not equal to Thucydides. The Menexenus, though not without real Hellenic interest, falls very far short of the rugged grandeur and political...