Catalog Search Results
Pub. Date
1998.
Language
English
Description
This film will show you, step-by-step and in detail, how to carry out a target child observation. By observing the techniques demonstrated, you will have the opportunity to quickly grasp the skills needed to carry out this kind of observation effectively in your everyday practice.. Initially shown as one continuous 10-minute piece in a classroom, you will see five children sitting around a table drawing. The objective is to examine social development....
Pub. Date
2022.
Language
English
Description
Beethoven's music can be supple, light-hearted, quick-witted, and genuinely humorous, just as it can be heroic, magnificent, and spiritually profound. Beethoven's lighter side is delightfully on display in his two opus 14 piano sonatas: no. 9 in E and no. 10 in G.
Pub. Date
2022.
Language
English
Description
Beethoven’s 32 piano sonatas provide a window into his personal musical development and highlight the piano as an evolving instrument. Professor Robert Greenberg combines analysis of extensive musical excerpts with historical anecdotes, metaphors, and humor to show what goes on inside a musical composition and how Beethoven often broke all former rules to achieve a new, powerful effect.
Pub. Date
2022.
Language
English
Description
Continuing your exploration of Beethoven's often overlooked piano sonatas, study no. 25 in G, op. 79, and no. 27 in E Minor, op. 90. The opening movement of op. 79 is a parody of Classically styled piano sonatas, while op. 90 opens with great pathos and tenderness.
Pub. Date
2022.
Language
English
Description
Continue your study of the Hammerklavier, focusing on the paradoxical fourth movement fugue, composed seemingly without limits or limitations. The Hammerklavier has been called "monstrous and immeasurable," a sonata like no other. With it, Beethoven opened the door to a new expressive world.
Pub. Date
2022.
Language
English
Description
Piano Sonata no. 6 in F, op. 10, no. 2 remained a special favorite of Beethoven's for many years after its composition. Examine the elements that make it seem so playful, before turning to the grander work that concludes the opus 10 set: Piano Sonata no. 7 in D.
Pub. Date
2022.
Language
English
Description
Continuing your study of Beethoven's grand sonatas, examine Sonata no. 3 in C, no. 3, op. 2, and Sonata no. 4 in E flat, op. 7. In both these works, we see Beethoven's early artistic declaration that he was not interested in slavishly following the Classical tradition.
Pub. Date
2022.
Language
English
Description
Likened to Dante's Inferno and Shakespeare's King Lear, Sonata no. 23 in F Minor, op. 57 (Appassionata) is not only esteemed by audiences, it was also one of Beethoven's favorites among his piano works. With the Waldstein, it is a quintessential example of Beethoven's "heroic" style.
Pub. Date
2022.
Language
English
Description
Piano Sonata no. 26 in E flat, op. 81a (Les Adieux) was dedicated to the Archduke Rudolph, an aristocratic patron and friend of Beethoven's who was fleeing Vienna ahead of Napoleon's armies, hence its name: the Farewell Sonata. We look at the piece as a mirror of contemporary events and as program music.
Pub. Date
2022.
Language
English
Description
Focus almost entirely on the first movement of Piano Sonata no. 11 in B flat, op. 22, to understand Beethoven's developing compositional priorities and the influence of Bach on his music. Written in 1800, this work is in many ways Beethoven's farewell to the 18th-century Viennese Classical style.
Pub. Date
2022.
Language
English
Description
From this point on, each of Beethoven's piano sonatas is markedly different from what came before it. No. 12 in A flat, op. 26 (Funeral March) shows a remarkable degree of contrast between its movements and has, as its third movement, an anguished funeral march.
Pub. Date
2022.
Language
English
Description
Beethoven's last three piano sonatas owe much to his epic Missa Solemnis ("Solemn Mass") which was also composed in the period 1820-1822. Explore the spiritual and compositional links to the Missa Solemnis, particularly as they relate to sonatas no. 30 in E, op. 109, and no. 31 in A flat, op. 110.
Pub. Date
2022.
Language
English
Description
This episode explores the Classical style that Beethoven inherited from Haydn and Mozart, highlighting some of its more notable features. Then we look at Beethoven's Piano Sonata no. 1 in F Minor, op. 2, no. 1, from 1795, as both an homage to Mozart and an example of Beethoven's pianistic audacity.
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